After his estranged brother’s mysterious death, Ethan goes on a journey to Las Vegas for the funeral and unravels a dark web of crime, forcing him to confront his past as he delves into the city’s gritty underworld to uncover the truth.

The gaze look into the camera demonstrates a consciousness that there is someone looking back before the images were created. (Siegfried A. Fruhauf) « Kinan di leid wider bled schaun heid / kinan di leid wider bled schaun. »* This couplet, which is repeated like a mantra, forms the textual structure of BLED by the group Attwenger. In the course of the song it successively condenses into a loop which is underlined by the rumbling rhythm and the merciless electronic and accordion passages. Almost like a prayer wheel the invocation wobbles until its meaning and intonation begin to dissolve in the acoustic environment. A similar process takes place on the visual level. Beginning with a shot of a man´s head (that of the filmmaker) which turns slightly to face the viewer, Siegfried A. Fruhauf alters the film in a number of steps. The picture dissolves into its grain, digital crosshatching or self-reflection, concluded by reworking in the style of drawing and painting with oil applied thickly and gesturally: The gaze into the camera – the faux pas which ruins the classic fiction-film shot – is visually disassembled, as a result of which this ur-scene of a break with fiction begins to decompose in a rhythmically eloquent manner. In all these variants the head is repeatedly dismantled into material textures that form a kind of formal structure underlying the concrete object. "Look stupid" means, in the Austrian vernacular, not only to lose out, but also to stand around with gaping mouth, to wear a facial expression which incites aggression. Fruhauf works with the literal meaning of the latter to create a visual counterpart, which could be said to defuse this look. All stupidity is limited by sufficient deformation. (Christian Höller) Translation: Steve Wilder * Können die Leut´ wieder blöd schauen heut´ / können die Leut´ wieder blöd schauen (they´ll look stupid again today / they´ll look stupid again.)

A film celebrating the beauty and romance, the art and science of neon: visually stunning, one of the most environmentally friendly forms of lighting ever made, and endangered – LED is slowly but surely taking its place around the globe. Vivid, beautiful and insightful, Neon is the story of this noble element that has so profoundly coloured the modern world.

A man is forbidden by higher powers from pursuing love, so he plans to end his life and finally escape his heartbreaking existence.

An unexpected encounter with his past prompts a young man to choose between his sexuality and his faith.

Two small time gangsters in pursuit of hitting the jack pot.

The world is poisoned. A sacrificial population is tasked with carving out a clean passage with neon lights between pockets of surviving civilisation. One 'runner' dares to race for her life against all the odds. NEON is a break-neck, cyberpunk action sci-fi set in a future decaying world.

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Tom Maranta has been a 'bouncer' for years, but he has decided to give the toughs, pushers, pimps and prostitutes the flick. As he makes that decision, Pharoah, his bitter enemy, is released from prison for stabbing him in a bloody and vicious street fight three years earlier. After three years of sleepless nights and haunting nightmares, Tom realises a showdown is inevitable and he enlists the help of a friend and together they are confronted by Pharoah and his army.

Laine is a college girl from a bland middle-class suburb in Latvia. As Laine’s father distances himself from his crumbling marriage and his family, Laine is unable to cope with the separation and discovers the edgy Riga party scene, where she falls in love with seasoned raver Gunda. Going from rave to rave, the girls journey into a drug-fuelled underworld of anarchy, freedom and exploration.